Ken Meyer is probably best known for things that I don’t know him for at all. For me, his work will always be vampires (a friend of mine at uni was absolutely OBSESSED with Vampire the Masquerade and insisted on showing me his work every time I went to her house – it stands up well to tens and tens of views, in case you were wondering!) and Caliber comics mystery come horror series Kilroy Is Here a series I realise I enjoyed a lot having spent a number of hours going back through those issues.
When I started looking for creators whose work I remembered, I was pleased to find out that Ken is a huge fanzine collector/ appreciator and I’ve found many new artists whose work I like because of him.
I know none of that mentions his recent art, but I feel like people are probably already aware of his art – if you’re not you should definitely check him out.
Over to Ken
Can you tell us a bit about the first creator whose work you recognised?
Well, I don’t think I really recognized who I was looking at until long after I started reading comic books (the thing that really started me as an artist). While reading comics in the early seventies I was also reading and contributing to many comic/fantasy fanzines of that time period (and in fact, I write an online monthly column called Ink Stains on this subject, which you can access from my website). Some of the very first comics I remember reading were things like Sea Devils (with those amazing Russ Heath covers). I was made somewhat aware of what came before through things like Steranko’s History of the Comics but didn’t really delve into that with any intelligence until later.
Which creators do you remember first copying?
I remember copying (with carbon paper) many things before I started drawing FROM the comics and then drawing on my own. One was an issue of Thor by Neal Adams. I am sure there were many others, but for some reason I remember that.
Who was the creator that you first thought ‘I’m going to be as good as you!’?
I doubt I ever really thought like that. Of course, there were many that I WANTED to be as good as, or even be like. Early on it was people like Kirby, John Buscema, Neal Adams, Frank Frazetta (I was consuming a lot of Edgar Rice Burroughs and similar books), etc. The ones that really sparked my interest came a bit later, people like Bernie Wrightson, Barry Smith, Craig Russell, Roger Dean (who illustrated a lot of my favorite music of the time) and then later, with the coming of the independents of the 80’s and some reinvention in the big two, by people such as Frank Miller, Steve Rude, Dave Sim, Howard Chaykin, etc. Some artists became painters and became very important to me, like Jeff Jones, George Pratt, Dave McKean and above all, Bill Sienkiewicz. About that time, I was becoming interested in mainstream illustration, so others played a big part, such as Bernie Fuchs, Bob Peak, Jim Sharpe, Kazuhiko Sano, Mark English, Bart Forbes and many more.
Which creator or creators do you currently find most inspiring?
Bill Sienkiewicz always amazes me. I cannot keep up with comics now, so I am probably missing out on a lot in that field. Fantasy illustrators that might be seen in the pages of the Spectrum annual frequently like Paul Bonner, Rick Berry, and so many more.
Which creators do you most often think about?
Part of that answer is just simple exposure…I see Bill’s work very frequently on Facebook, since he posts so often (thank the art godz), for example. Sometimes seeing his work, I am reminded of some of his influences again, who were also mine, such as Peak, mentioned above. Bill has the ability (and experience) to combine lots of media, capture likenesses seemingly effortlessly, be loose and incredibly creative, and also just be very personable and open, which I try to be.
Can you name the first three creative peers that come into your head and tell a little bit about why?
Peer is a hard term to truly qualify. I suppose mine might be a combination of independent comic artists, magic artists, and a few commercial illustrators. But, like many, I am harder on myself than anyone else, so I hesitate to put myself on the same level of a lot of people. David Mack comes to mind, since we both started, to some degree, at Caliber Comics in the mid-nineties. However, David has gone on to a whole other level, initially through his creator owned Kabuki series (and all the leaps and bounds his art took while working on it), and then working with Marvel and other huge properties. He is also a really good ambassador for the visual medium, traveling the world and introducing art to communities in far flung locations in a very intelligent and caring manner.
I hate to keep harping on Sienkiewicz, but I would be lying if I did not say he comes to mind for this question as well. Steve Rude does also, for some of the same reasons. Even though I marvelled at his work on Nexus, meeting him later was as easy as anyone. Though he struggles with his own personal demons, he remains giving and accessible…and his work ethic is far beyond question. His love of comics in general always shows in his work and his words.
There are many fellow Magic artists that could fill this bill, and I have been lucky to have met many of them at the various events in the past. They all possess talent, drive, and skill. Some have an incredible amount of creativity, like Anthony Waters. Some are just beautiful human beings, like Chuck Lukacs. Some are inventive pranksters, like Pete Venters. Some have forged very individual styles, like Drew Tucker and Richard Kane Ferguson. I am just lucky to know many of them.
Finally, can you tell us a bit about your recent work and yourself?
I have been a commercial artist since about 1976 (starting as a work study student in college). I have worked in many industries and for many companies, including comics (Marvel, Dark Horse, Image, Caliber, Revolutionary, etc), online games (Everquest), paper games; (Magic, VTES, Imajica, Dragonstorm, Rage, Vampire the Masquerade and many other White Wolf/Onyx Path properties, Redemption, Legend of the Five Rings, Shadowfist, more), various ad agencies and companies (Bell Helmets, RAINN, American Cancer Society, etc), and many private commissions and freelance work. My personal interests include film, tv, reading (favorite authors include Stephen King, Chuck Palahniuk, Christopher Moore), music (I have waaay too many cds), and tennis.
I started working exclusively on a freelance basis about 18 years ago (having worked full time art related jobs while doing freelance at the same time for many years before that). Most of the work I do tends to be continuing work for White Wolf/Onyx Path and a few other companies, as well as varied commissions from all sorts of people doing all sorts of subjects. A fair amount of it tends to be Magic based, such as the work I would sell and show at events, or work like altered cards, playmat sketches, artist proof card paintings, etc. But, like most freelance illustrators, I need to be able to do pretty much anything if I want to make a living! As for recent or current work, I have a few Onyx Path illustrations due by the end of this month (June), a private commission for a returning client I am working on now, and some altered cards after that. I can never tell what is coming next!
Thank you very much for taking the time and letting us into your mind.
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