This will be the first in a very occasional series appreciating creators whose work I feel remains vital whilst also casting a long shadow through their creative area. I’m starting this, essentially, to create a record whilst it has a chance to make an impact upon the artists.
Morbidly, the death of another long-term comic artist turned my mind to thinking about how sad it is that they would never get to read the appreciations of their peers, fan and creators inspired by their work. I’ve spent much of this year feeling defeated by 2020, brought low and unable to kick myself into action. But there’s got to be an end to that at some point, and that time is now.
This is me reaching out and trying make a difference in the world again. This is me trying to Kill 2020 with kindness.
There has been one person who has seemed to blossom this year, constantly simmering away, making work. Only, he’s not simmering, he’s boiling over, his work just gets better and grows more amazing yet still wholly singular and recognisably his own.
Today, we’ll talk Phil Elliott. Phil emerged in the 80’s with a whole group of other makers associated with Fast Fiction. All of them experimental and all of them deeply involved with life and the comics medium. Phil became publisher of Fast Fiction, then moved onto an involvement with those early black and white comic boom titles put out by Harrier. He’s been published by Fantagraphics, Slave Labor Graphics, Kitchen Sink, Harrier, Marvel UK, L’Echo de Savanes and A Suivre in France, NME, Sounds and Melody Maker.
The thing about Phil is, he’s done much of everything from fully creating comics, lettering, colouring, publishing, self-publishing, even handmaking hardback books. When you talk to people about him, it’s not just this though, and it’s not just his restless approach to style, what really shines through is his generosity, his desire to support and his happiness to collaborate. There are few people you regularly and consistently hear such kind words about, but you talk to people and all you hear is how he has supported them, helped them grow, kindly gifted them things. The man is not just a forefather of the UK small press scene, he’s a silent sun shining over it and helping it to blossom into the incredible and diverse field it is today.
See Phil’s work here
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content copyright iestyn pettigrew 2020