Phil Elliott – guest contributor – Paul Rainey

Paul Rainey

Paul Rainey – comic writer and artist

Escape Issue 5 Phil Elliott cover
Escape Issue 5 Phil Elliott cover

During my teens in the 1980s, I made a purposeful decision to broaden the comics I read from UK newsagent and American superhero to now include Escape, the comics art magazine. It was here that I read Eddie Campbell and Phil Elliot’s work for the first time. Obviously, this seemed like quite a leap, but Phil’s rounded, energetic, Tin Tin styled drawings helped with my transition. I loved Phil’s work. It enjoyed being a comic. It rolled around in the language that all other comics had foolishly forgotten about and then invented its own. There has always been a sense of contentment in his work even back then, of an artist comfortable in his own skin.

If fourteen year-old me ever thought that Phil’s work is limited to only carrying his unique vision, then I was proved wrong very quickly. Early on, Escape published Doc Chaos, a sci-fi strip written by David Thorp which I loved and still have my copies of. Phil’s priority was never style or mood at the expense of the story.

Another collaboration I enjoyed very much was Second City, a four issue series written by Paul Duncan and published by Harrier Comics. Then there was The Greenhouse Warriors, written by Glenn Dakin and self-published, all copies of which I have also kept to this day. I was so impressed by the latter, that I contacted their printer and used them for my 1990s comic, Memory Man. Recently, Phil has reprinted strips he drew with Eddie Campbell for Sounds during the 1980s. What I like about these works, and others, is that it’s often difficult to see where Phil ends and the collaborator begins.

 

I think that Phil is definitely under appreciated. I often wonder how differently he may be perceived by the comics-hive-mind today if he had had the opportunity to illustrate a years in the making graphic novel written by Alan Moore. At a time when Phil’s peers were chasing gigs at 2000 AD and DC, Phil was working for Sounds and Fantagraphics and pitching Real Ghost Busters strips to Marvel UK. (This approach to work that I always imagined Phil to have, has been an influence on me). I remain delighted by Phil continuing to make comics like Malty Heave with Rob Wells and The Last Man with Michael Powell. The man’s an inspiration.

 

Phil Elliott
Phil Elliott

See Phil’s work here

Patreon              Website           The Art of Phil Elliott – facebook page               twitter

 

all art copyright and trademark it’s respective owners.
content copyright iestyn pettigrew 2020

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