Small (press) oaks – Robin Barnard

Robin Barnard is one of those creators driven to make for the sake of making. I came across his work via Martin Hand who regularly works with him on the Star Jaws title. I was very pleased when I realized I could read his contributions online and then more pleased when I got to read the zines as they’re fun. There’s a sense of community around them and I’ve found some other great creators by following out from his comics. There’s something ESSENTIALLY fanzine about the whole thing, from the appropriation of style, the mashup of content to the intent to dig into what you enjoy by both celebrating and critiquing it.

I was interested to find out what Robin had to say about his inspirations and influences.

current facebook avatar taken from Robin's hand drawn reproduction of the original Marvel UK Star Wars Weekly corner box
current facebook avatar taken from Robin’s hand drawn reproduction of the original Marvel UK Star Wars Weekly corner box

Find him here

website                   facebook                      twitter

or click the image links for Robin’s comics

A reproduction of a panel from Claremont, Byrne and Austin's Star-lord drawn by Robin
A reproduction of a panel from Claremont, Byrne and Austin’s Star-lord drawn by Robin

Can you tell us a bit about the first creator whose work you recognised?

That would be John Byrne. The very first comic I got brought, Marvel UK Star Wars Weekly in 1978 reprinted “Star-Lord” the first story by Claremont, Byrne and Austin as a team just before they went over to Uncanny X-Men. And then Byrne seemed to turn up in almost any comic I was reading for the next decade or so. It wasn’t for a while after that until I started appreciating films and then music.

img_7179
Carmine Infantino

 

Which creators do you remember first copying?

I traced a Carmine Infantino cover of The Flash when I was about 9. I don’t remember which issue it was, but I remember it was very fluid.

 

Who was the creator that you first thought ‘I’m going to be as good as you!’?

I have never thought I was as good or going to be as good as anyone (laughs). I never compare anything I have done to anyone else. I have plenty of inspirations, but I never hold my own work in much esteem. I don’t have much of an ego in that area. I have also never consciously been that competitive. I tend to create for the enjoyment of creating as I find that makes it worthwhile. Sometimes I look at a page I have done and think that might be okay, but that’s it really

Which creator or creators do you currently find most inspiring?

At the moment I am enjoying the creative madness of Terry Gilliam. I actually saw “The Man Who Killed Don Quixote” in the cinema, which was not easy (it had very few screenings), but it was so worth it. Sometimes a movie comes along, and it just takes me to place I have never seen before, and I just have to experience again and again. It doesn’t happen very often, but Terry’s movies have done that for me at least 3 times (Brazil, and 12 Monkeys are the other two).

WHAT ROMANCE 20-20 (with Wallis Eates)
WHAT ROMANCE: 20/20 (with Wallis Eates)

Which creators do you most often think about?

It depends on what I am doing. I tend to go through a cycle where I will discover a creator and then want to experience all of their work. If I was just, for example, working on recreating the 1st issue of “The Human Fly’ then I would read all the issues of that series and read about Bill Manto and the real life Human Fly and all of that would all feed into the end result.

Outside of creative works, I tend to think about Ridley Scott, Stanley Kubrick and Terry Gilliam when it comes to movies and music can be anything from R.E.M. all the way to Kylie Minogue and everything in-between.

I always have an eye open to see if I can find something new and tend to be open to try anything and make up my own mind if I like it or not, having said that I have not yet watched “Xanadu” (laughs)

STAR JAWS 35
STAR JAWS 35

Can you name the first three creative peers that come into your head and tell a little bit about why?

I guess the first one should be Martin Hand. He has been drawing covers for my comics for quite a few years now, he is really great at what he does and he’s much better at it than me. He has also made some great comics.

Next would be David Robertson, who other than myself or Martin has had more material in STAR JAWS than anyone else. David has he is own unique sensibility you always know its David’s work just by looking at it

Last but not least would be Paul Rainey, whose line work is brilliant and his story telling sensibilities again has a great unique voice.

What Men - Robin Barnard
What Men – Robin Barnard

Finally, can you tell us a bit about your recent work and yourself?

For what seems the last umpety ump million years I have been slaving away on STAR JAWS. Which I suppose is basically a spoof comic.

Star Jaws 36 - cover
Star Jaws 36 – cover
The Superheroes Special - cover
The Superheroes Special – cover

As for myself I prefer my material to speak for me, I don’t consider myself as a person or my actual real opinions any part of my creative process.

What I tend to do is observe a situation and try and put that into a story and try and include all valid points of view and if possible, let the audience make up their own minds as to what to think. But sometimes the material has something very specific to say to me in which case that’s exactly where it goes.

I have recreated and rewritten quite a lot of existing comic material and I work in an entirely different industry to comics.

Almost everything I have ever created is on my website.

Thank you very much for taking the time to fill this out and let us into your mind.

Thank you

THE COSMETICALLY POWERED HULK
THE COSMETICALLY POWERED HULK

all art copyright and trademark it’s respective owners.

content copyright iestyn pettigrew 2020

 

 

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