Gareth Hopkins is really one of the main reasons I got back into comics reading and particularly became interested in the small press and zine culture.
His comics are not comics as you think of them, they’re not linear representations of actions and events. They are stories and his stories have become more linear and less like the broken poetry you’ll find in Intercorstal Extension. His art, though, remains mercurial and abstract, sometimes colourful and explosive, with pages broken up by panel shapes and sometimes, as with Not This House, like mists of lines and spots of black where suddenly something coalesces into almost the shape you’re reading about.
Not This House continues his moves towards prose storytelling and does so with great skill. There’s a sense of really manipulating what’s happening with the images, how they almost make scenes that illustrate the words on the page, in particular page seven evokes the sense of moving through tunnels in the dark, which feels deeply fitting for the story unfolding at that point of the comic.
There’s also the sudden tonal shift that hits home so very effectively with the change in lettering style and tone of illustrations. The shift, feeling sudden and, for me, emotionally affecting.
All in all, this work picks up threads from his earlier work, such as the use of poetic repetition of key phrases, but also adds a sense of intentionalism that is skilled and assured whilst also delivering some very powerful emotional tonal shifts within the story. That Gareth can manage this with the art, the story and the lettering is impressive in an inspiring way, that he can make this work as an emotional story, with emotional heft without any of the normal props of drama shows why I find his work so inspiring.
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