Review – Requiescat In Pace by Livor Mortis Zine and Cameron Zavala

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This is a grim zine dealing with loneliness, abuse and self-hatred.  It’s handled with an extremely dark humour. It doesn’t make light reading, but it’s got a pure angry voice that’s laughing whilst making you sick. It’s a classic underground comic, gross out, and in your face, but busily dealing with life at the extreme margin of society.

The zine mixes comic pages from Cameron Zavala with photographs from Livor Mortis Zine. These photographs have been used as a springboard for the settings of the story and it’s fascinating to see the original and the drawn version in combination. Impressive how such a loose and quick looking style managed to still take these references and render them so recognisable. But more interesting is seeing how a few images can inspire the creation of a story. 

I’m a huge fan of Livor Mortis Zines photos and these are great, managing to capture corruption, decay and out of time artifacts of fashions left behind, with a grimy beauty. The star of this zine is Cameron Zavala’s comic story. Riffing on the images and the mood within them he takes it and runs, making a story that delves deep into cruelty, absurdity and boundary pushing extremity. It scores its points against alienation faced by those rejected from love in their lives. It digs at homophobia and the othering and criminalisation of those outcast from mainstream society.

In fair warning though, it does this with huge amounts of depraved and cruel dark humour. The kind of bitter humour that isn’t so much funny as a cry of anger. Yes, it’s out there pushing your buttons (and this could trigger abuse survivors for sure) but it wants to because it’s damn angry about the cruelty being called out.

The art and the story are ugly and in your face, are crude and bitter and scratched out and it’s horrible. But it’s got a bleak humour in its hysteria and it’s making its points against the cruelty of making people outcasts from love and hope.

All images copyright their respective owners and shown for purposes of review only

Contents copyright iestyn pettigrew, all rights reserved

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