Small (press) oaks – Law Tissot

Cidade Cyber

There’s something beautifully Victorian Gothic about the penmanship of Law Tissot. His designs are perfectly simple and easy to read, just great cartoon designs, but the page is filled with marks and texture and grandly surreal landscapes. I can see the influence of Druillet and Giger in his work, but I’m much more deeply reminded of Jim Cawthorn’s approach to texture and line and the scratchy art of Bryan Talbot in Luther Arkwright or Nemesis and Matt Howarth’s whole approach, but the design just has a greater sense of PUNK about it.

Find Law here

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Can you tell us a bit about the first creator whose work you recognised?

I started reading comics very early. But I’m sure Jack Kirby made the first revolution in my life. The characters, spaceships, aliens, armor, weapons … all dynamic scenes. This is always very beautiful and exciting.

Jack Kirby inked by MIke Royer

(Comecei a ler histórias em quadrinhos muito cedo. Mas tenho certeza de que Jack Kirby fez a primeira revolução em minha vida. Os personagens, espaçonaves, aliens, armaduras, armas … todas as cenas dinâmicas. Isso é sempre muito bonito e emocionante.)

Which creators do you remember first copying?

Definitely Jack Kirby since always. But I need to talk a lot about the guys from Métal Hurlant magazine: Richard Corben, Enki Bilal, Moebius  and Philippe Druillet. Much more Druillet, I believe.

(Definitivamente Jack Kirby desde sempre. Mas preciso falar muito sobre os caras da revista Métal Hurlant: Richard Corben, Enki Bilal, Moebius e Philippe Druillet. Muito mais Druillet, creio.)

Who was the creator that you first thought ‘I’m going to be as good as you!’?

I really like underground comics, the freedom of fanzines and independent publishing. I have always tried to be an important author in the alternative scene. That interests me today.

(Eu realmente gosto de quadrinhos underground, a liberdade dos fanzines e da publicação independente. Sempre tentei ser um autor importante na cena alternativa. Isso me interessa ainda hoje.)

Which creator or creators do you currently find most inspiring?

As I said, Jack Kirby and Philippe Druillet have a lot of influence on my imagination. But today there is a lot of H.R.Giger in my art.

H.R.Giger

(Como eu disse, Jack Kirby e Philippe Druillet tem muito influência na minha imaginação. Mas hoje há muito do H.R.Giger na minha arte.)

Which creators do you most often think about?

I like to discover new fanzines. Distant artists with new ideas and new comics. These things happen all the time, talents that vibrate hidden. Treasures ready to be discovered. I want to see this happen.

(Gosto de descobrir novos fanzines. Artistas distantes com novas ideias e novos quadrinhos. Estas coisas acontecem o tempo todo, talentos que vibram escondidos. Tesouros prontos para serem descobertos. Eu quero ver isso acontecer.)

Can you name the first three creative peers that come into your head and tell a little bit about why?

Fábio Vermelho. For being a new friend I made recently. There is always so much to see in your art. All an urban atmosphere and psychobilly that attracts me. (Instagram @fabiovermelho)

Fabio Vermelho

Guilherme Santos (Moleton Fantasma) has a genius narrative ability. He takes his characters to places I would like to go.(Instagram @moletonfantasma)

Guilherme Santos

Henry Jaepelt has been an old friend since the 1980s. He still does many things that interest me. And its graphic universe is very powerful. It is impossible to remain indifferent. (Instagram @henryjaepelt)

Henry Jaepelt

(Fábio Vermelho. Por ser um novo amigo que fiz há pouco tempo. Há sempre tanto o que ver em sua arte. Toda uma atmosfera urbana e psychobilly que me atrai. 

Guilherme Santos (Moleton Fantasma) tem uma capacidade narrativa genial. Ele leva seus personagens por lugares que eu gostaria de ir.

Henry Jaepelt é um velho amigo desde os anos 1980. Ele ainda faz muitas coisas que me interessam. E seu universo gráfico é muito poderoso. Impossível ficar indiferente.)

Finally, can you tell us a bit about your recent work and yourself?

Cidade Cyber

I live in the extreme south of Brazil. I’ve been doing my comics and zines for over three decades, basically within cyberpunk sci-fi. I draw my comics every day and leave them where I can.

(Eu vivo no extremo sul do Brasil. Tenho feito meus quadrinhos e zines por mais de três décadas, basicamente dentro da ficção científica cyberpunk. Eu desenho meus quadrinhos todos os dias e os deixo onde posso.)

Thank you very much for taking the time to fill this out and let us into your mind.

Cidade Cyber – A Limusine Surrealista de Miss K

all art copyright and trademark its respective owners.

content copyright iestyn pettigrew 2020

Small (press) oaks – Alberto Monteiro

Today is Brazilian Independence Day and I thought we’d celebrate that this week by talking to a number of Brazilian creators about their influences and inspirations. Now, I have very little knowledge of the Brazilian zine and small press zine, but I’ve certainly picked up a lot of interesting creators to follow over the last few weeks.

Alberto Monteiro has an incredible style, beautiful and stylish, an amazing sense of colour and great design sense, everything has a chunky sense of physicality to it that really caught my eye.

Find Alberto here

Instagram           flikr

Can you tell us a bit about the first creator whose work you recognised?

I have always been interested in visual works, colors, shapes, and since I am already 55, in my childhood everything was printed, everything was paper, newspapers, magazines, etc. I think that from a very young age, a creator who always impressed me, among many, was Guido Crepax. With that thought-provoking streak and futuristic atmosphere, or not, full of the elaborate charm of the 70s psychedelic.

Guido Crepax

Which creators do you remember first copying?

As I said before, Guido Crepax’s work was very exciting for me, but I don’t remember trying to copy it. I would try, if I had enough skill, to copy several others, like Hal Foster, Alex Raymond, Milton Caniff, Will Eisner, Rich Corben, Jack Kirby …

Who was the creator that you first thought ‘I’m going to be as good as you!’?

I liked comic books as well as great painting, and I thought I could become a Picasso, because I also admired him a lot, lol … And I was already making my oil paintings, around 1981, or even earlier, I don’t have enough strong memory to go further than that, lol …

Picasso

Which creator or creators do you currently find most inspiring?

Currently I see Mattotti as a great artist in drawing and painting, I like neo-expressionists like Baselitz, Immendorff, Penck (RIP) and several other painter artists who created great canvases mainly in the 80s.

Which creators do you most often think about?

I don’t think much about the work of others, I have seen and discovered several artists through the internet, mainly instagram. I like informalism, creative freedom and jobs that always surprise.

Can you name the first three creative peers that come into your head and tell a little bit about why?

Casaes, is an artist I know and lives nearby, he does a very exciting job, has a touch of mystery and the line keeps that dark atmosphere even talking about everyday things.

Rafael Sica (here, here and here), as well as the first one I mentioned, also makes comics and besides the apparently simple line, his characters use a very interesting and unusual body expression in the comics.

Ordinário, 2010 – Rafael Sica

Finally, I know another artist that I cannot fail to mention, Fábio Zimbres, who is exceptionally expressive and surprising, has a totally free streak and I think it is up to great modern and contemporary painters.

Fabio Zimbres

Finally, can you tell us a bit about your recent work and yourself?

I am working daily with drawing and painting, I try not to create a border between drawing and painting techniques, I always use brushes and acrylic paint, on any type of support, but I prefer paper. I use work as a pure form of expression and keep a lot of what I saw and see from comic books, taking this narrative mixed with my own idiosyncrasies to my work.

Thank you very much for taking the time to fill this out and let us into your mind.

L u s t