Rob Zwetsloot can also be found on twitter
At the beginning of the year I wrote about 5 works that I thought deserved recognition. One of these was Star Bright and you’ll find what I wrote about it here, this will be a very specific dig into just a little thing I noticed in the work that struck me.
I keep coming back to this work for a couple of personal reasons, not the least of which is that it’s really a good world to spend time in. By that I mean that, I enjoy how calm it is, that it’s filled with kindness, but most of all, the strongest sense that brings me back is how it models acceptance. Sometimes showing an answer is the best way to help someone with hard questions.
So, I guess I’ve read it four or five times by now, critically read it I should qualify and then the other night, that’s mid-April 2020 or mid COVID-19 lockdown, I just sat down to enjoy it and not dig in.
Then I started noticing something I’d not picked up before, which is one of the joys of re-reading really. Now, I can’t say for definite whether it was intentional, whether it was the writer or the artist or the team figuring it out. I can say it doesn’t matter, sometimes you’re a good story because things happened that came together well. I can tell you that I had seen these things, but not consciously considered them before. To unpack that, my mind has felt the story being built those actions, but until now I’d never THOUGHT about how that was achieved.
I’m going to stop being coy in just a few more lines, but I want one more piece of context before I do that. When you write a story, you will have actions, scenarios and often similes and analogies in your story. It’s considered good literature if you manage these in a consistent way, so all similes relate to water or fire. In visual media you can achieve the same but in a slightly different manner, they are often repeated visual cues. Critics have picked apart works like Watchmen for its use of such literary techniques.
Well, here I was stuck inside and facing another seven weeks before I could go out. I have a child we’re having to shield and had spent two weeks with them having to be separated from my other two children and then from me as we showed symptoms. Then I was reading and seeing all these panels with hands clutched away from friends, afraid to reach out as well as panels of hands just gently held, friends in love with their friends. It was like fire through my veins, but it was also so very simple and very human and that’s why I keep coming back to this beautiful little comic.
all art copyright and trademark it’s respective owners.
content copyright iestyn pettigrew 2020